德沃夏克《降E大调第3交响曲》 《F大调第5交响曲(第一次出版时为第3)》 /科斯勒指挥斯洛伐克爱乐乐团演奏  唱片封面

《德沃夏克《降E大调第3交响曲》 《F大调第5交响曲(第一次出版时为第3)》 /科斯勒指挥斯洛伐克爱乐乐团演奏 》

简介

This LP is recorded in the Concert Hall of the Slovak Philharmonic in May 1978 (Symphony no. 5) and Apr. 1979 (Symphony no. 3).
The Symphony No. 3 in E-flat major, Op. 10, B. 34 is a classical composition by Czech composer Antonín Dvořák.
It is not known precisely when the work was created (Dvořák scratched out the note on the title page with a knife so effectively that it is not possible to reconstruct the most important data).[1] However, the symphony was composed probably in 1872, but possibly not scored until the following year.[1] It is also not possible to find out with certainty the original text of the work. It was premiered by Prague Philharmonic Orchestra on March 29, 1874 at the fourth philharmonic concert in the hall on Žofín (Sophia Island), conducted by Bedřich Smetana. The composition was revised by Dvořák in 1887–1889, though not printed until 1912 (after the composer's death) by N. Simrock in Berlin.

德沃夏克的《第五交响曲》,OP.76,F大调,作于1875年,呈献给封·彪罗,1879年3月25日由车希指挥捷克剧场管弦乐团首演。
共4个乐章:
1.从容的快板,F大调,奏鸣曲式。从单管演奏第一主题始,就呈现出恬静的牧歌风格。其次的经过部为威风凛凛,有波西米亚舞曲福里安风格的节奏。第二主题以D大调呈现,发展部以第一主题处理为中心,导入福里安节奏,再现部将此经过部旋律再处理,第一主题与呈示部小结尾主题对位结合,第二主题发展至牧歌般的安适中结束。
2.流畅的行板,A小调,3段体。其第一段如潜伏着不安的憧憬,最初大提琴主题指明为“悲哀地”。中段为A大调,充满明朗气氛。第三段以第一段自由形式再现,类似波西米亚的民俗音乐《悲歌》。
3.几乎不变的流畅行板,降B大调。在主部之前,有一段序奏,由大提琴回忆第二乐章主题。主部为3段体,第一段以木管轻快的主题展开,越来越厚实,越来越明朗。中段为降D大调,显得更为朝气蓬勃。
4.很快的快板,F大调,奏鸣曲式。在第一主题正式以F大调呈示之前,先以D小调将此主题予以自由变奏,形成序奏。第二主题单簧管与小提琴以应答呈示,紧接着发展部以后的再现部予以变奏。自第二主题始,然后再回复序奏开头部分。结尾再度以发展风格进行,最后巧妙地导入第一乐章第一主题形成高潮。
摘自:http://www.sin80.com/work/dvorak-symphony-3、https://www.discogs.com/Anton%C3%ADn-Dvo%C5%99%C3%A1k-Zden%C4%9Bk-Ko%C5%A1ler-Slovak-Philharmonic-Orchestra-Anton%C3%ADn-Dvo%C5%99%C3%A1k-Two-Symphonies/release/5974697、http://www.sin80.com/work/dvorak-symphony-5
视频链接:http://www.tudou.com/programs/view/C7ijQwlu1T0/
音频链接:http://www.tudou.com/programs/view/KN3RHapt_xg/