Dottie West (born Dorothy Marie Marsh; October 11, 1932 – September 4, 1991) was an American country music singer and songwriter. Along with her friends and fellow recording artists Patsy Cline and Loretta Lynn, she is considered one of the genre's most influential and groundbreaking female artists. Dottie West's career started in the 1960s, with her Top 10 hit, "Here Comes My Baby Back Again", which won her a Grammy Award for Best Female Country Vocal Performance in 1965, the first female in Country Music to receive a Grammy. In the early 1970s, West wrote a popular commercial for the Coca-Cola company, titled "Country Sunshine", which reached No. 2 on Billboard's Hot Country Singles in 1973. In the late-70s, she teamed up with country pop superstar, Kenny Rogers for a series of duets which took her career to new highs, earning Platinum selling albums and No. 1 records for the very first time. Her duet recordings with Rogers, "Every Time Two Fools Collide", "All I Ever Need Is You", and "What Are We Doin' in Love", became country music standards. In the mid-1970s, her image and music underwent a metamorphosis, bringing her to the very peak of her popularity as a solo act, and reaching #1 on her own for the first time in 1980 with "A Lesson in Leavin'". In 2018, West was posthumously inducted into the Country Music Hall of Fame Dorothy Marie "Dottie" Marsh was born on October 11, 1932 to Pelina Artha (née Jones; 1915 – 1970) and William Hollis Marsh (1908 – 1967) in a community called Frog Pond just outside McMinnville, Tennessee. She was the eldest of ten children. The family was extremely poor. To help alleviate the financial strain, West's mother opened up a restaurant. Young Dottie helped Pelina Marsh run the establishment. Dottie's father, Hollis Marsh, was an alcoholic who beat and sexually abused her. The abuse continued until she was 17, when she finally reported him to the local sheriff. She testified against her father in court, and he was sentenced to 40 years in prison, and eventually died there in 1967. After living with the sheriff for a short time, she moved to McMinnville with her mother and siblings. She also joined her high school band, "The Cookskins", where she sang and played guitar. In 1951, she obtained a music scholarship to Tennessee Technological University in Cookeville, Tennessee. There she met her first husband, a steel guitarist named Bill West, with whom she had four children. She continued to use his surname professionally. She was a lifelong active Democrat. After graduation, Dottie West moved with her family to Cleveland, Ohio, where she began appearing on the television program Landmark Jamboree as one half of a country pop vocal duo called the "Kay-Dots" alongside partner Kathy Dee. At the same time, West made numerous trips to Nashville in the hopes of landing a recording deal. In 1959, she and Bill auditioned for producer Don Pierce at Starday, and were immediately offered a contract. The singles West cut for the label proved unsuccessful, but she moved to Nashville two years later, where she and her husband fell in with aspiring songwriters, including Willie Nelson, Roger Miller, Hank Cochran and Harlan Howard. West often played hostess to these struggling songwriters, offering them a place to stay and eat. In return, they taught West about the structure of songwriting. During this time, she also became a close friend of groundbreaking female country singer Patsy Cline and her husband Charlie Dick. Cline would become one of West's biggest career inspirations. As West related to Ellis Nassour in the 1980 book Patsy Cline, the greatest advice Cline ever gave her was, "When you're onstage sing to the audience with all of your heart and mean it. Then cast a spell over them. If you can't do it with feeling, then don't." In their early days in Nashville, West and her family would often not have enough to pay the rent or buy the week's groceries, so Cline would hire her to help with her wardrobe and West's husband Bill to play in her band. Cline even offered to help pay West's rent or buy groceries when she and Bill were struggling to stay in Nashville. On March 5, 1963, Cline died in a plane crash along with Cowboy Copas, Hawkshaw Hawkins, and her pilot and manager Randy Hughes on her way home from a benefit at Memorial Hall in Kansas City, a concert West also attended. West had asked Cline to ride with her and Bill in their car, but Cline, anxious to get back home to her children, opted to fly instead. In 1963, Jim Reeves recorded a song written by West called "Is This Me". It became a No. 3 hit that year. As a result, Reeves helped West secure a recording contract with RCA Victor. West earned her first Top 40 hit in 1963 with "Let Me Off at the Corner", followed a year later by the Top Ten duet with Jim Reeves "Love Is No Excuse". Also in 1964, she auditioned for RCA Victor producer Chet Atkins, the architect of the Nashville sound, who agreed to produce her composition "Here Comes My Baby". The single made Dottie the first female country artist to win a Grammy Award (Best Female Country Vocal Performance), leading to an invitation to join the Grand Ole Opry.[9] "Here Comes My Baby" reached No. 10 on Billboard Magazine's Country charts in 1964. After releasing the Here Comes My Baby LP in 1965, Dottie and producer Chet Atkins reunited the following year for Suffer Time, which generated her biggest hit yet in "Would You Hold It Against Me". In 1967, the West/Atkins pairing issued three separate albums: With All My Heart and Soul (featuring the No. 8 smash "Paper Mansions"), Dottie West Sings Sacred Ballads and I'll Help You Forget Her.[citation needed] During the same period, she also appeared in a pair of films, Second Fiddle to a Steel Guitar and There's a Still on the Hill. She continued to have success as a solo artist during the late 1960s with such songs as "What's Come Over My Baby" and "Country Girl" which garnered her an offer to write a commercial based on it for Coca-Cola in 1970. The soft drink company liked the result so much that it signed her to a lifetime contract as a jingle writer.[citation needed] After the 1968 LP Country Girl, West teamed with Don Gibson for a record of duets, Dottie and Don, featuring the number two hit "Rings of Gold" released in 1969. The album was her last with Atkins, and she followed it in 1970 with two releases, Forever Yours and Country Boy and Country Girl, a collection of pairings with Jimmy Dean. Around the time of Have You Heard Dottie West, released in 1971, she left her husband Bill and, in 1972, married drummer Byron Metcalf, who was 12 years her junior. Due possibly in part to her recent stratospheric success with duets, her solo career suffered between 1969 and 1972. Most of her singles released at the time had failed even to peak in the Top 40, and her album sales were declining.[citation needed] In 1973, West provided Coca-Cola with another ad, featuring a song called "Country Sunshine". The popularity of the commercial prompted her to release the song as a single, and it became one of her biggest hits, reaching No. 2 on the country charts and No. 49 on the Pop charts. The ad itself netted a Clio Award for commercial of the year and she became the first country artist ever to win that particular honor. "Country Sunshine" proved to be a solid comeback as she was nominated for two Grammys for the song, Best Country Song and Best Female Country Vocal Performance a year later.[citation needed] After the release of House of Love in 1974, West notched a number of Top 40 hits including the Top 10 "Last Time I Saw Him", "House of Love", and "Lay Back Lover". Before signing with United Artists Records in 1976, her final RCA album, Carolina Cousins, was released in 1975. In the late 1970s, West's image underwent a major metamorphosis; the woman who had once performed outfitted in conservative gingham dresses, and had originally refused to record Kris Kristofferson's "Help Me Make It Through the Night" because it was "too sexy", began appearing in spandex-sequined Bob Mackie designs with 20 costumes under a $400,000 contract. (She had relented in late 1970 and recorded "Help Me Make It Through the Night" on the album Careless Hands, which was released in 1971.) As the sexual revolution peaked, so did West's career. Under United Artists, West's material changed from traditional country to up-tempo and slow-tempo Adult Contemporary-styled music. In 1977, West released her first album under United Artists, When It's Just You and Me. The title track peaked at No. 19 on the country charts. In 1977, she was recording the song "Every Time Two Fools Collide" when, according to legend, Kenny Rogers suddenly entered the studio and began singing along. Released as a duet, the single hit number one, West's first; the duo's 1979 "All I Ever Need Is You" and 1981 "What Are We Doin' in Love" topped the charts as well. A 1979 duets album, Classics, also proved successful.[11] The duo proved popular enough to be booked in some of the biggest venues in the United States and other countries. In 1978 and 1979, the duo won the Country Music Association's "Vocal Duo of the Year" award, one of West's few major awards. During the 1980s, West continued to generate solo hits, most notably "A Lesson in Leavin'". Her popularity as a featured performer on the Grand Ole Opry endured as well. "A Lesson in Leavin'" was West's first No. 1 solo hit. It also peaked at No. 73 on the pop charts. A week before "A Lesson in Leavin'" reached the No. 1 spot, it was part of a historic Top 5 in country music, when the Top 5 spots were all held by women. The album that included this song, Special Delivery, included two other Top 15 Country hits from 1980, "You Pick Me Up (And Put Me Down)" and "Leavin's for Unbelievers". In 1981, West had a pair of back-to-back No. 1 hits, "Are You Happy Baby" and "What Are We Doin' in Love" with Kenny Rogers. "What Are We Doin' in Love" was West's only Top 40 hit on the pop charts, reaching No. 14, becoming a major crossover hit in mid-1981. Her 1981 album Wild West was one of her biggest sellers. As the 1980s progressed, West's popularity began to slip. However, she did introduce herself to younger audiences as she lent her voice to Melissa Raccoon in the film The Raccoons and the Lost Star (1983), a precursor to the later series produced by Kevin Gillis, The Raccoons. West's 1982 album High Time spawned her last Top 20 hit, "It's High Time", which reached No. 16. The album's other single, "You're Not Easy to Forget", only peaked at No. 26. West's next two albums under Liberty Records, Full Circle and New Horizons, were both commercial failures. West's last Top 40 hit was "Tulsa Ballroom" (1983) In 1984, West departed from her label and switched to the independent label Permian. In 1981, West's daughter Shelly also made a career in country music; she is best known for her hit duet with David Frizzell, "You're the Reason God Made Oklahoma", which hit No. 1 that year. As a solo artist, Shelly notched her own No. 1 in 1983 entitled "José Cuervo". During the early and mid 1980s, Shelly achieved several more hits, including Top 10 solo hits "Flight 309 to Tennessee" and "Another Motel Memory." After getting married in the late 1980s, Shelly left the music business. In 1980, Dottie West filed for divorce from Byron Metcalf, citing his drinking and infidelity. In 1982, she was asked to play the lead role in the stage production of The Best Little Whorehouse in Texas. That summer, she toured for four weeks in the stage production, performing across the country. She had her own float in the Macy's Thanksgiving Day Parade that year. She also posed for a revealing photo in the men's magazine Oui. In 1983, she married her sound man, Al Winters, 22 years her junior. In 1984, she appeared in the play Bring It On Home. In 1986, she made her screen debut in the science fiction film The Aurora Encounter. In 1984, West released her final studio album, Just Dottie. This album was not very successful; all three of the singles that it contained failed to chart in the Top 40. Her last chart hit, "We Know Better Now", reached only number 53 in 1985. Although she remained a popular touring act, West's financial problems mounted. West and Winters filed for divorce in 1990, and he sued her for $7,500. By this time, extravagant spending and a string of bad investments by her investors had left her nearly broke. In March, her Los Angeles manager sued her for $130,000, and her former manager sued her for $110,295. Furthermore, a local bank foreclosed on her mansion outside of Nashville, and sent West an eviction notice on August 1, 1990. At this time, West owed the IRS $1.3 million and filed for Chapter 11 bankruptcy; she later switched to Chapter 7, which allowed her to liquidate her assets. West's fan-club president, Sandy Orwig, told The Nashville Network in a 1995 interview that according to West, the "IRS would show up at her door anytime of the day or night, taking her possessions. They even separated and took apart her award plaques, throwing half in one box and the other in another."[citation needed] After a car accident in her Corvette and a public auction of her mansion and possessions, West began making plans for a comeback, including an album of duets and an autobiography. The album was to feature West's friends and fellow artists Kenny Rogers, Roger Miller, Tanya Tucker and Tammy Wynette. However, the album never materialized. She recorded her last song in July 1991 called "As For Me", a duet with Norwegian country singer Arne Benoni. 摘自：https://en.wikipedia.org/wiki/'>https://en.wikipedia.org/wiki/Dottie West

多蒂.威斯特 (Dottie West)

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