Antonio Soler 安东尼奥·索勒

安东尼奥•索勒 安东尼奥•索勒（又译“索勒尔”）西班牙僧侣作曲家，1729年出生于加泰罗尼亚，早期即在蒙特塞拉特岛接受音乐教育，后来到马德里师从多门尼科•斯卡拉蒂。曾任列里达唱诗班乐长，1752年出家为僧侣，1753年起任大教堂唱诗班指挥与修道院管风琴师。他共作有149首键盘奏鸣曲，在旋律、和声、织体、节奏、装饰等方面，均深受多梅尼科•斯卡拉蒂的影响，体现出典型的西班牙民间音乐与宫廷音乐的特征。与斯卡拉蒂一样，索勒的奏鸣曲均为二部曲式（其中部分带再现性质）。索勒的音乐为我们描绘了将近二百五十年前（约我国清朝康熙年间）西班牙宫廷、教会、民俗各个不同层次面的音乐画卷。

英文简介：Antonio Soler (baptized 3 December 1729 – died 20 December 1783) was a Spanish composer whose works span the late Baroque and early Classical music eras. He is best known for his keyboard sonatas, an important contribution to the harpsichord, fortepiano and organ repertoire. Soler was born in Olot (Catalonia, Spain) in the historical County of Besalú. In 1736, when he was six, he entered the Escolania of the Monastery of Montserrat where he studied music with the resident maestro Benito Esteve and organist Benito Valls. In 1744, he was simultaneously appointed organist and subdeacon at the Cathedral of La Seu d'Urgell. Later in life, he was chapel master inLleida and at the Royal Court in El Escorial. In El Escorial, he studied with professors about different subjects of music. Soler took holy orders at the age of 23, and embarked on an extremely busy routine as a Hieronymitein El Escorial, Madrid with 20-hour workdays, in the course of which he produced more than 500 compositions. Among these were around 150 keyboard sonatas, many believed to have been written for his pupil, the Infante Don Gabriel, a son of King Carlos III. Other pieces include Christmasvillancicos and Catholic liturgical music, including Masses. He died in the monastery of San Lorenzo de El Escorial; no portraits of him are known to exist. Padre Soler's most celebrated works are his keyboard sonatas, which are comparable to those composed by Domenico Scarlatti (with whom he may have studied). However, Soler's works are more varied in form than those of Scarlatti, with some pieces in three or four movements; Scarlatti's pieces are in one or two movements. Soler's sonatas were catalogued in the early twentieth century by Fr. Samuel Rubio and so all have 'R' numbers assigned. Soler also composed concertos, quintets for organ and strings, motets, masses and pieces for solo organ. He also wrote a treatise, Llave de la modulación ("The Key to Modulation", 1762). Soler's Six Concertos for Two Organs are still very much in the repertoire and have often been recorded. A fandango once attributed to Soler, and probably more often performed than any other work of his, is now thought by some to be of doubtful authorship.

摘自：https://en.wikipedia.org/wiki/'>https://en.wikipedia.org/wiki/Antonio Soler

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