博胡斯拉夫·马尔蒂努 (Bohuslav Martinů) 唱片封面

Bohuslav Martinů 博胡斯拉夫·马尔蒂努

博胡斯拉夫·马尔蒂努

B..Martinů / B..马尔蒂努

地區捷克

類型个人

職業作曲、小提琴

藝人資料

Czech composer (December 8, 1890, Polička, Czechia - August 28, 1959, Liestal, Switzerland) of modernist classical music. He wrote almost 400 opuses, including six symphonies, 15 operas, 14 ballet scores and a large body of orchestral, chamber, vocal and instrumental works. In the 1930s he experimented with expressionism and constructivism, and became an admirer of current European technical developments. He also adopted jazz idioms. Of the post-war avant-garde styles, neo-classicism influenced him the most. He continued to use Bohemian and Moravian folk melodies throughout his oeuvre, usually nursery rhymes. He emigrated to the United States in 1941, fleeing the German invasion of France. Although as a composer he was successful in America, receiving many commissions, he became homesick for Czechoslovakia. He never returned to his native country, and he died in Switzerland. In 1962, [a=Komorní Orchestr Bohuslava Martinů] was named after the composer, with a permission of his widow Charlotte Martinů. The renowned Philharmonic Orchestra from Zlín was also renamed as [url=https://www.discogs.com/artist/1510460]Bohuslav Martinů Czech Philharmonic Orchestra[/url] in the early 1989.

捷克现代古典音乐作曲家(1890年12月8日----1959年8月28日,瑞士利斯塔尔)。他创作了近400部作品,包括6部交响乐、15部歌剧、14部芭蕾乐谱和大量管弦、室内乐、声乐和器乐作品。捷克 作曲家、小提琴家。一生创作歌剧、芭蕾舞剧、管弦乐和室内乐等作品150多部。马尔蒂努生于波利卡,曾在布拉格和巴黎求学。1940年来到美国,在普林斯顿大学教授作曲。
在20世纪30年代,他尝试了表现主义和建构主义,并成为当前欧洲技术发展的主将。他还采用了爵士乐习语。在战后的前卫风格中,新古典主义对他影响最大。他继续使用波希米亚和摩拉维亚民间旋律贯穿他的整个作品,通常是童谣。他于1941年移民美国,逃离德国进入法国。作为一名作曲家,他在美国很成功,接受了许多委托,但他却对捷克斯洛伐克怀有思乡之情,虽然他再也没有回到祖国,而是逝世于瑞士。