Graziella Sciutti 加茨耶拉·休蒂

加茨耶拉•休蒂（Graziella Sciutti，1932-2001），意大利女高音歌唱家，1932年4月17日出生于意大利都灵（Turin），2001年4月9日卒于日内瓦。 加茨耶拉•休蒂是位著名的花腔女高音，早年就学于罗马，1951年在Menotti的《The Telephone》中首演于Aix-en-Provence艺术节，1954年在Glyndebourne艺术节上出演了罗西尼《塞维里亚的理发师》中的Rosina，作为这里的年度客户直至1959年，1955年作为《Il matrimonio segreto》中的Cimarosa登台于米兰La piccola scala，1956年在伦敦科文特英国皇家歌剧院出演了作为威尔第《Un ballo die maschera》中的Oscar，并客串演出于萨尔茨堡艺术节，爱丁堡艺术节，荷兰艺术节，维也纳国家歌剧院等，1961年首次登台纽约大都会歌剧院，尤其擅演《Le nozze di Figaro》中的Susanna，《Così fan tutte》中的Despina，《Don Giovanni》中的Zerlina等莫扎特歌剧角色，以及18世纪作品如Pergolesi《Il maestro di musica》中的Lauretta, 罗西尼《塞维里亚的理发师》中的Rosina和多尼采蒂《L'elisir d'amorena》中的Nori等，同时还经常应邀出演一些当代歌剧，如1954年在Aix-en-Provence出演了Sauguet的《Les Caprieces de Marianne》, 1957年在米兰La piccola scala出演了Malipiero的《La donna è mobile》,1959年在同一剧院出演了Mortari的《La scuola delle mogli》等，1977年首次执导了Poulenc的歌剧《La voix humaine》，1985年在德国科布伦茨新国家剧院的重新启用庆典上执导了莫扎特歌剧《Die Zauberflöte》，退出舞台后任教于伦敦英国皇家音乐学院。

Graziella Sciutti (17 April 1927 – 9 April 2001) was an Italian soprano opera singer and later vocal teacher and opera producer.Sciutti was born in Turin, Italy. Her parents were musical, her father being an organist; her mother was French.She studied privately with Ginevra Marinuzzi, then in Rome at the Accademia di Santa Cecilia under Rachele Margliano-Mori with the intention of making a career on the concert platform. From 1948 she participated in broadcasts on Italian Radio, her first being L'oca del Cairo. Sciutti's concert debut was in 1949 in Venice, with 18th-century Italian songs. Her stage debut at Aix-en-Provence in 1951 singing Elisetta in Il matrimonio segreto and the woman in The Telephone and realized that she "was a person who could do opera". She appeared as Rosina in Rossini's The Barber of Seville in 1954. Later she appeared in London at the Royal Opera House, Covent Garden (debut 1956 as Oscar in Un ballo in maschera), at Salzburg, Vienna and in San Francisco. Referred to as "The Callas of the Piccola Scala" Sciutti was renowned for her interpretation of Mozart's "soubrette" characters, Susanna, Despina, and perhaps especially for her singing in the role of Zerlina in the 1959 recording of Mozart's Don Giovanni, with the Philharmonia Orchestra under the direction of Carlo Maria Giulini. She created the title role in Sauguet’s Les caprices de Marianne in 1954. Although some found her voice to be thin on occasion, she was much sought after for her voice technique and her acting ability. Nobody could dispute her ability to project the innocence, perky cheerfulness and coquetry found in the many delightful roles written for that kind of voice. In later years she turned her attention to teaching and operatic production. She produced Poulenc's La voix humaine at Glyndebourne in 1977, and Donizetti'sL'elisir d'amore at the Royal Opera House, Covent Garden and San Francisco, and in 1985 Mozart's The Magic Flute at Koblenz. She taught at London's Royal College of Music, where her pupils included Anna Maria Panzarella.She died in Geneva. In addition to pirate and radio recordings, Graziella Sciutti’s records include excerpts from Mozart (French HMV), Ines in Il Trovatore, Tebaldo in Don Carlo and Barbarina in Le nozze di Figaro (Cetra), Nanetta in Falstaff (CBS), Norina in Don Pasquale (Decca), Rita (Cetra), Mozart arias and concert arias (Decca), Rosina inIl barbiere di Siviglia (Delysé), Giulia in La scala di seta (RCA), Livietta in Livietta e Tracollo (Fonit), Carolina in Il matrimonio segreto (Columbia), Marzellina in Fidelio (Decca), Lisette in La Rondine (RCA), Amor in Orfeo ed Euridice (DG), Morgana in Alcina (Decca), Ginevra in Ariodante (RCA), Zerlina in Don Giovanni (Philips and HMV), Susanna in Le nozze di Figaro (HMV), and Despina in Così fan tutte (Philips). <a href="<a href=" https:="" en.wikipedia.org="" wiki="" graziella_sciutti'="">https://en.wikipedia.org/wiki/Graziella_Sciutti'>https://en.wikipedia.org/wiki/Graziella_Sciutti